| |
| Education
|
| |
|
| 2004
- 2006 |
Master
of Fine Arts (Art and Technology), School of the Art Institute of Chicago |
| 1996 - 1998 |
Bachelor
of Fine Arts (Drawing), Victorian College of the Arts, University of Melbourne |
| 1988 - 1991 |
Bachelor
of Education (Visual Art), University of Melbourne |
| |
|
| Solo
Exhibitions |
| |
|
| 2007 |
 |
Every second is like, forever, and every
year is like 11.3 centimetres,
Design Commission, Seattle, WA |
| 2007 |
|
Every second is like, forever, and every
year is like 11.3 centimetres,
Anna Schwartz Gallery, Melbourne |
| 2006 |
|
Starter Pistols, Anna Schwartz Gallery, Melbourne |
| 2005 |
|
Visionary Projects, with Emma Balazs, VersionFest, Chicago, USA |
| 2003 |
|
Skin Quartet,
with David Young, Anna Schwartz Gallery, Melbourne |
| 2002 |
|
The
Unbearable Weight of Ordinary Things, 18th Street Arts Complex, Santa
Monica, CA |
| 2001 |
|
Cold
Storage, Anna Schwartz Gallery, Melbourne |
| 2001 |
|
ColourPhonics,
Spare Room, RMIT, Melbourne |
| 2000 |
|
Counter-play,
Studio 12, 200 Gertrude Street, Melbourne |
| 2000 |
|
The
Art of Good Reasoning, West Space, Melbourne |
| 1999 |
|
Another
rounding of facts, Studio 12, 200 Gertrude Street, Melbourne |
| 1999 |
|
"the
comforting illusion" (the prey), Linden Gallery, Melbourne |
| 1999 |
|
"the
comforting illusion" (just remember this), Linden Gallery, Melbourne |
| 1999 |
|
"the
comforting illusion" (breathe), Linden Gallery, Melbourne |
| 1999 |
|
Spector,
talk artists initiative, Melbourne |
| 1997 |
fold,
George Paton Gallery, Melbourne |
| |
|
| Group
Exhibitions |
| |
|
| 2008 |
|
A Time Like This, VCA Margaret Lawrence
Gallery, Melbourne |
| 2008 |
|
Red, Wangaratta Regional Gallery,
Victoria |
| 2007 |
|
Zoom +/- , ARENA1 Gallery, Santa Monica,
CA; Limn Gallery, San Francisco, CA |
| 2006 |
|
The Unquiet World ,
Australian Centre of Contemporary Art, Melbourne |
| 2006 |
|
2006 MFA Graduate Exhibition,
G2, Art Institute of Chicago, Chicago, IL |
| 2005 |
|
Make it Modern, Deloitte Touche Tohmatsu, Melbourne |
| 2005 |
|
A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, Melbourne |
| 2005 |
|
Your Sky, Gigantic Art Space, New York, USA |
| 2005 |
|
Daily Care Center, Galeria Noua, Bucharest, Romania |
| 2004 |
|
Cycle Tracks Will Abound in Utopia, Australian Centre of Contemporary Art, Melbourne |
| 2004 |
|
Free Time, Contemporary Art Services Tasmania, Hobart |
| 2004 |
|
PUBLIC/PRIVATE Tumatanui/Tumataiti The 2nd
Auckland Triennial, Auckland, New Zealand |
| 2003 |
|
Khoj International Artists Residency Open
Day, Delhi, India |
| 2003 |
|
ReUnion, George
Paton Gallery, University of Melbourne Student Union, Melbourne |
| 2003 |
|
Feedback:
Art, Resistance and Social Conscience, Monash University Museum of
Art, Melbourne |
| 2002 |
|
When
the lake froze over, Project Space, RMIT, Melbourne |
| 2001 |
Artissima,
Torino Esposizioni, Turin, Italy |
| 2001 |
The
Alice Prize Exhibition, Alice Springs |
| 2001 |
|
Migration,
West Space, Melbourne |
| 2001 |
First
Floor Fundraiser, First Floor, Melbourne |
| 2000 |
|
200
Gertrude Street Studio Artists 2000, 200 Gertrude Street, Melbourne |
| 2000 |
|
The
Pragmatics of Inscription, Linden Gallery, Melbourne |
| 2000 |
Docklands,
with Elizabeth Boyce, Glass Street Gallery, Melbourne |
| 2000 |
Drawing
- The Extended Field, Victorian College of the Arts Gallery,Melbourne
|
| 2000 |
National
Works on Paper Exhibition, Mornington Peninsula Regional Gallery,
Mornington |
| 2000 |
Sally's
Paddock Exhibition, Patrizia Autore Gallery, Melbourne |
| 2000 |
|
A
Matter of Distance, Linden Gallery, Melbourne |
| 1999 |
A4
Art, West Space, Melbourne |
| 1999 |
tcb
Fundraiser, tcb, Melbourne |
| 1999 |
Overview,
Linden Gallery, Melbourne |
| 1999 |
|
Make
It Yourself, 200 Gertrude Street, Melbourne |
| 1999 |
National
Works on Paper, Mornington Peninsula Regional Gallery, Mornington |
| 1999 |
Who's
afraid of the avant-garde? Who cares?, tcb, Melbourne |
| 1999 |
system*,
Linden Gallery, Melbourne |
| 1998 |
Intended
for the General Public, Myer windows, (Melbourne International Festival),
Melbourne |
| 1998 |
Syntax
of the Real, Victorian College of the Arts Gallery, Melbourne |
| 1998 |
Post-Postcard
Show, Linden Gallery, Melbourne |
| 1998 |
Summer
Salon, Centre for Contemporary Photography, Melbourne |
| 1997 |
A4
Art, West Space, Melbourne |
| 1997 |
Red,
West Space, Melbourne |
| 1997 |
Walkerville,
George Paton Gallery, Melbourne |
| |
|
| Grants,
residencies, awards and commissions |
| |
|
| 2007 |
|
Manhattan Graphics Center Scholarship |
| 2006 |
|
Australia Council, New Work Grant |
| 2006 |
|
VAP Fellowship, School of
the Art Institute of Chicago |
| 2006 |
|
Arts Victoria Arts Development Grant |
| 2005 |
|
Second Year International Scholarship, School of
the Art Institute of Chicago |
| 2004 |
|
Mercer,
the consulting business of Marsh & McLennan
Companies, Commission |
| 2004 |
|
Arts Victoria Arts Development Grant |
| 2004 |
|
Gordon and Anne Samstag
International Visual Arts Scholarship |
| 2004 |
|
Arts Victoria Export and Touring Fund grant |
| 2003 - 2004 |
Asialink
Residencies in India and Bangladesh |
| 2003 |
|
University of Melbourne,
Student Union, Student Computing Centre, Commission |
| 2001
- 2002 |
Australia
Council Los Angeles Studio |
| 2001 |
|
City
of Melbourne Laneways Temporary Public Art Project, Commission |
| 2000 |
Sally's
Paddock Acquisitive Art Award, Patrizia Autore Gallery, Melbourne |
| 1999
- 2001 |
200 Gertrude
Street Studio Residency, 200 Gertrude Street, Melbourne |
| 1999 |
Pat Corrigan
Artists Grant |
| 1998 |
Garry
Grossbard Drawing Award, Victorian College of the Arts |
| 1998 |
Victorian
Campus Art Prize, George Paton Gallery, Melbourne |
| 1998 |
Post-Postcard
Show Award, Linden Gallery, Melbourne |
| 1997 |
Stella
Dilger Award, Victorian College of the Arts |
| |
|
| Bibliography |
| |
| Anita
Bragge, Wild Cards Tell All, Herald-Sun, Melbourne, February
9, 1998 |
| Anna
Clabburn, Feedback, The Australian,
May 4-5, 2003 |
| Samantha
Compte, A Time Like This, VCA Margaret Lawrence Gallery,
2008 |
| Samantha
Compte, (ed), Make It Yourself, 200 Gertrude Street,
1999 |
| Samantha
Compte, 200 Gertrude Street Studio Artists 2000, 200
Gertrude Street, 2000 |
| Ashley Crawford, Where the statistical
is the political, The Age, Melbourne, August 28, 2004 |
| Georgia Cribb, The Docklands Project, Glass Street
Gallery, 2000 |
| Jane
Faulkner, Changing Lanes, The Age, Melbourne, September
18, 2001 |
| Ry Haskings,
We're walking all over it, The Paper,
#29 December 2001 |
| Edward Hanfling, Enchantment/disenchantment:
the 2nd Auckland Triennial, Artlink, volume 24, #2, 2004 |
| Stuart
Koop, Cold Storage, Artext, #76, Spring 2002 |
| Jonathan Marshall, Of style and
substance, RealTime
#58,
October 2001 |
| Stephen Naylor, PUBLIC/PRIVATE Tumatanui/Tumataiti
The 2nd Auckland Triennial, Art Monthly, #170, June 2004 |
| Robert
Nelson, From here to eternity, and make it snappy, The
Age, Melbourne, December 13, 2000 |
| Tom Nicholson,
Another rounding of facts, Artext,
#69, May/July 2000 |
| Tom Nicholson,
system*, Linden Gallery, 1999 |
| Masato
Takasaka, (ed), Whose afraid of the avant-garde? Who cares?,
tcb, 1999 |
| Lara
Travis, system*, Like,, #9, Winter
1999 |
| Cynthia
Troup, A Matter of Distance, Linden Gallery,
April 2000 |
| Cynthia Troup, The Scope of Governing
Values, PUBLIC/PRIVATE Tumatanui/Tumataiti The 2nd Auckland Triennial,
Auckland Art Gallery, March 2004 |
| Cynthia Troup, Surveying Skin Quartet, Orifice,
Melbourne International Arts Festival, October 2003 |
| Philip Watkins, Free Time, Contemporary
Art Services Tasmania, June 2004 |
| |
| Web
references |
| |
| www.louisabufardeci.net |
| www.annaschwartzgallery.com |
| www.contemporaryart.com.au |
| www.unisa.edu.au/samstag/scholars |
| www.union.unimelb.edu.au/gpg/reunion |
| |